The December issue of Wired magazine, which is guest edited by a dripping wet James Cameron (the man behind the reverse-psychological propaganda movie called the Terminator), has plundered ZPi for story ideas. On page 046 they have an articlette entitled "When I Grow Up, I Wanna Spy on the Neighbors!" that's about Government propaganda aimed at kids using cute mascots. Sound familiar? Four sites are mentioned, two that I covered (NRO and NSA) and two (FBI and CIA) I didn't because they were too obvious and others have pointed them out in the past.
Mere coincidence, you say? Consider this: Digital hipster central Boing Boing, which includes a number of correspondents who write for Wired, posted a piece about the NRO Jr. site on Aug. 29th. They cite a piece on Joi Ito from the 28th, which in turn cites some Livejournal entry with a cut-n-pasted IM dialog linking to it on the 20th, with no further citations. My piece, which resulted from specifically looking for governmental kids sites, was posted on the 19th.
Clearly something fishy is going on here involving the upper echelons of the fashionable technorati conspiring against my blog by stealing my low-effort shtick. What's in the next issue of Wired? Xeni Jardin presents a series of slapdash artworks of people wearing foil hats? The technology behind the McLuhanator Mark XI? Push Belgium?
The National Geospatial-Intelligence Agency (NGA), whose Propaganda Mascots I reported on previously, is in the news amid reports that it is spying on Americans and Cascadians. Well, duh.
According to NGA spokesplanet Terry Firma, geospatial intelligence means "taking all the information there is about a point on the Earth -- above, on, or under the surface -- and putting it together to answer questions about that place." Cold-hearted NGA Americas office director Bert Beaulieu added that "we couldn't care less about individuals and people and companies."
I suspect that this unsurprising news is now being leaked to try and distract from my startling deduction nearly a month ago that the NGA is involved in the opening of a gateway between parallel earths, allowing who knows what manner of dangerous paraterrestrials to enter our dimension. That they would consider a cover story of massive orbital spying on citizens to be less shocking than the real truth only shows how out of control the situation must be.
WARNING: THIS POST CONTAINS A LINK WITH LIVE EXAMPLES OF CEREBROSONIC MIND CONTROL AND OTHER FORMS OF MANIPULATIVE PSYCHOACOUSTICS. IF YOU DO NOT HAVE CEREBROSONIC-CANCELATION EQUIPMENT OR MINDGUARD'S DEPSYCH RUNNING, DO NOT FOLLOW THE LINK WITHOUT FIRST DISABLING ALL THE SPEAKERS ATTACHED TO YOUR COMPUTER, INCLUDING THE INTERNAL "PC SPEAKER" AND MODEM SPEAKER. ALSO, IT WOULD BE PRUDENT TO HAVE ANY DENTAL FILLINGS REMOVED TO ELIMINATE THE POSSIBILITY OF INTERCRANIAL SOUND INDUCTION VIA THE ELECTROMAGNETIC FIELD OF YOUR MONITOR.
Dr. Horowitz, Chief Technology Officer of the psychoacoustical applied research company NeuroPop (which threatens: "We can change your mind...") has contacted me to point out that the possibility of mind-control iPods was already speculated on by the German-language blog Industrial Technology & Witchcraft (article entitled "Der neuronale iPod"), in the context of mentioning NeuroPop's work.
However, the Korean mind-controller patent that I linked to -- which is shown in the technical drawings as being iPodish -- goes beyond the passive cerebrosonic mind-control that NeuroPop is developing for use in music, films, and games as it contains a neural feedback pack to actively read the state of the brain and adjust its mind-control signal accordingly. Passive cerebrosonics from NeuroPop and others can be played on a normal, unmodified iPod (or other such devices), with the main disadvantage for the mind-controller being the lack of real-time customization and adaptation. Since this technology can be incorporated into commercial music recordings (and probably is -- NeuroPop is secretive about their clients), any users of iPod-type devices who do not get their music from trusted paranoid sources are in danger of cerebrosonic manipulation (as I warned in an earlier post).
Besides currently being a vehicle for passive cerebrosonics sold through Apple's iTunes store, future versions of the iPod will most likely include the sort of active mind-control technology described in the Korean patent, finally allowing Steve Jobs to deploy his "reality distortion field" well beyond the immediate vicinity of his cyborg body, thereby serving the will of his Reticulan masters.
Space has been in the news a lot lately, what with the recent photos from the Cassini probe and particularly the hype surrounding the allegedly first private spaceflight of SpaceShipOne. This can only mean one thing: a cover up.
As you no doubt know, since I explained it in my book, the so-called "space race" of the previous century was a NWO sham designed to reveal already existent space technology to the public while covering up its previous use for mind control, thereby allowing its even greater deployment for that use. Aluminum-based satellites have been in orbit since at least the mid-19th century, launched by giant cannons covertly built on equatorial islands, including the ill-fated one on Krakatoa (for a historical perspective, see Jules Verne's dramatized exposé From the Earth to the Moon). Moon bases have been established since the early 20th century, used both as platforms for mind control as well as manufacturing centers for products such as the psychotronically deflective orbs deployed by counter intelligence agents in discos during the 1970s (which, thanks to the low-gravity aluminum crystal growth that moon bases allowed, were markedly more effective than similar designs first developed in Rome in the Middle Ages).
So, the question is: What are they covering up now with this new private space race known as the X-Prize? What new space-based technologies are going to be "discovered" in the coming years as space is commercialized that have been used against us for decades?
One possibility for revelation is the technology required to build space elevators, which have been conveniently hyped in recent months for no apparent reason. A very strong and light material is needed to make the strand or band that the space elevator car will travel on. Popular opinion is that some form of carbon nanotubes will be used, although we officially lack the technology to manufacture them in sufficient quantity. However, the current states of classified nanobiotechnology and genetic engineering are certainly such that they could be used to produce mecha-organisms that will secrete large amounts of the substances. (In fact, this biosecretion technology has been in development, in secret, for centuries, ever since the Byzantines first started experimenting with mutant silk worms to produce flame resistant materials for their soldiers to wear while flinging Greek Fire at their enemies. Of course, the bioengineers of Byzantium lacked modern biological process control techniques that would allow them to direct the development and genetic alteration of the silk worms, so they never managed to develop space-elevator-capable materials of their own, thankfully.)
If I am correct in my suspicions, this portends a future where the technology behind black helicopters (which I first brought to light in the 1990s) will be even more widely used to subjugate humanity, replacing mind control with total nanobiological subversion.
For those orthonoids who scoffed at my suggestion that audio encoders could be used for nefarious mind control purposes, I present this Korean patent that can convert an iPod-type audio player into a mind control device:
A mind controller is disclosed. The mind controller can induce a user's brain waves into an alpha wave state or a theta wave state by sensing and analyzing human brain waves and then transmitting a mind control audio message suitable for the analyzed human brain waves to the user, so that the user can improve mental concentration power or memory for himself/herself. The mind controller for activating brain waves generated from the user's brain, includes: an EEG (Electroencephalogram) sensor for sensing frequency band corresponding to alpha waves and theta waves from the brain waves generated from the user's brain; an MCU (Memory Control Unit) for analyzing whether the brain waves sensed by the EEG sensor are alpha waves or theta waves through a built-in program of a brain wave analysis program pack and controlling output of a message, which corresponds to the alpha waves or the theta waves, out of mind control audio messages of an MP3 pack; an audio decoder for demodulating signal converted into data in the MP3 pack by control signal output from the MCU; a D/A converter for receiving signal provided from the audio decoder and converting the signal into analog audio signal; and audio output means for converting and providing the analog audio signal into sound.
UPDATE 2006-04-21: The Bush connection...
As every paranoid knows, all "music" released by the Recording Industry has been riddled with cerebrosonic mind control ever since the Industry's inception. (The earliest forms of cerebrosonics were, unsurprisingly, laughably crude by today's standards -- such as Edison's simple backmasking of adverts for his electric pen into his debut release of "Mary Had A Little Lamb" -- and the modern era of consumer cerebrosonics really didn't come to full fruition until the development of Beatlemania-inducing quasinodal harmonics by the BBC in 1962.) It's no wonder then that paranoids have been musically disadvantaged in recent decades, since finding underground, trusted sources of mind-control-free recorded music was often difficult.
Then the 1990s brought with it the promise of being able to find those sources with ease, for both paranoids and orthonoids alike. The global and decentralized nature of the burgeoning Internet allowed the free exchange of music, with digital signatures based on advanced cryptographic technology used to ensure a network of trust from paranoid artists to their paranoid fans. Today, this is all taken for granted, however there is a dangerous flaw in this trust network: The music encoder.
Say you have a raw digital recording of mind-control-free music that you are going to distribute on the Internet. To save on bandwidth, you wish to compress it as much as possible while maintaining quality, so you unthinkingly use a common compression solution such as MP3, AAC, or WMA to encode the music for distribution. But, how can you trust the encoder not to add cerebrosonic mind control to the resulting file? You can't. And since the "lossy" compression significantly reinterprets the recording, there's no easy way to verify that the resulting file matches the original in memetic content.
Consider: The technology in all these high compression formats is based on a scientific field called "psychoacoustics," which studies how the brain perceives and interprets sound, and specifically what sounds people can't consciously detect. I mean... come on, do you really trust your brain to people calling themselves psychoacousticians? (Notice how that one doth protest too much about the whole "sonic mind control" issue.)
Furthermore, the technologies are all heavily patented by groups ranging from a shadowy German corporation founded by a Knight of the King of Bavaria, to a cult-like company known for its leader's ability to locally distort perceived reality, to Microsoft. If you are using encoders for these compression formats, you might as well just buy the newest Britney Spears CD and surrender your brain to the New World Order's sex slave recruitment division.
Of course, orthonoids and ill-informed paranoids will use them, just as the forces of mind control have arranged. (Organizations like the RIAA are merely fronts designed by the forces of mind control to encourage use of these compromised technologies through reverse psychology.) And while open audio technologies like Ogg Vorbis offer an alternative for those who know to look for them, they will never be allowed to gain general acceptance.
(NB: All MP3s offered on this site were hand encoded using vi for your protection.)
UPDATE: More On iPods & Cerebrosonics
At 11.111 LMT this morning, the skies of central Cascadia were lit up for a brief second, turning night into day and creating a loud boom. The Media has been breathlessly claiming it was caused by a meteor -- conveniently not a meteorite, since that would require physical evidence. However, the only photos of this supposed meteor that the Media could dig up are from a home security camera that captured a reflected blob traveling across the window of a car. Hardly what I would call convincing.
While a meteor may be an acceptable explanation to a population spoon-fed reality by those who wish to control how we think, I see some other potential explanations not being reported in the Media:
Until such time as these possibilities have been eliminated, I will have to remain skeptical of this "meteor".
UPDATE (2004-06-05): On the day of the incident, someone claiming to be a University of Washington astronomy professor named Bradley Hammermaster told Seattle radio station KIRO that a meteorite the size of a small car had crashed near Chehalis. This report was picked up by AP. It now turns out that there is no one by the name of Bradley Hammermaster working at the UW. The Media are now calling this a hoax. Convenient how well this "hoax" that they were the "victim" of supported their original "meteor" story.
In public places, cameras watch our every move. They record where we go, what we do, and who we meet -- even what personal hygiene products we buy. While ostensibly for our security, these cameras are in fact being used by shadowy forces to monitor our lives and learn our secrets to later use against us. Is there a way for the conscientious paranoid to avoid the unblinking gaze of the modern panopticon? Indeed, there is.
Television meteorologists and digital effects technicians use a technology called chromakey -- also often called "blue screen" -- to aid in compositing different elements into a scene. The most common use of this technology involves having a subject stand in front of a usually blue or green screen that is then replaced electronically with some background image, such as a weather map or CGI alien cityscape. Although technicians try to avoid it, chromakey can also affect a foreground subject; for instance, a bright blue tie will result in the illusion of a gaping hole in a weatherman's chest.
While this downplayed side-effect of chromakey technology may be undesirable to those trying to project the image of weathermen as solid purveyors of truth, it can be used to the paranoid's advantage: by wearing a costume made entirely of chromakey screen material, a paranoid can become invisible to electronic surveillance cameras.
Here at ZPi Laboratories, we are working on such electrooptical camouflage in the form of a hooded unitard made of bright blue or green colored spandex, which I call the Chromatard. I believe that this outfit -- which is form-fitting to help the wearer avoid unnecessary, camera-detectable interaction with the environment -- will become as popular with the paranoid community as the AFDB has become. Unfortunately, it is currently unusable outside of laboratory conditions since its bright color will attract the unwanted attention of any enemy agent not hidden behind an electronic camera. However, this should be less of a problem in the future when nearly all forms of surveillance will be mediated by electronic visualizing devices -- either "security" cameras or the eyes of robots. This future will belong to the Chromatarded paranoid.
Here's something from the Vaults of Unfinished Projects... a crude rendering -- created by ZPi Imaging Laboratories from partial blueprints smuggled out of Ottawa by Windingo agents sympathetic to Cascadian independence -- of a Canadian tool of destruction known as the McLuhanator Mark XI:
This dastardly device -- which is being secretly built in a facility somewhere in the Northwest Territories -- is the end result of decades of Canadian giant-robotic-arm research, and was designed for the sole purpose of keeping British Columbia under Federalist subjugation. It's estimated to stand at over 100 feet tall and have the stomping power of over 70 enraged elephants, making an army of these megabotic weapons more than a match for the Sasquatch Militia. (In light of this development, Sasquatch Command has initated a plan to repel the megabots using an ingenious array of forest traps involving swinging logs and tripwires.)
What other horrors does the vast tundra of Canada hide? Probably nothing else, but this is horrific enough.
© 2004-2019 Lyle Zapato & ZPi
unless otherwise noted or implied.